This guitar solo uses both the Pentatonic & Natural Minor (Aeolian mode) guitar scales in the key of B minor. Though most of the solo that was recorded for the song uses a straight natural minor scale, during the improv part I use the Pentatonic scale with the flat 5th which I think adds a bit of depth.
This is some default tab content, embedded directly inside this space and not via Ajax. It can be shown when no tabs are automatically selected, or associated with a certain tab, in this case, the first tab.
Lick #2
Start wih a half step bend & release at the B string 7th fret. Be sure to use a bit of vibrato on the last note.

Lick #3
Slide up to the F# on the G string, 11th fret and decend from there all notes are played on the G string.
Lick #4
Reminiscent of the style made popular by Chuck Berry. Start this lick with a whole step bend on the G string at the 9th fret the proceed to the next two strings fretted at the 7th fret using your index finger. End with a whole step bend on the B string at the 10th fret.

Lick #5
This seemingly simple guitar lick requires getting the 1 and 1/2 step bend right. I suggest playing the b to d note interval straight a few times to first get the sound of the interval in your head before using a bend to create it.

Lick #6
This guitar lick starts out as a B minor arpeggio. Slide up to the 9th fret on the D string then hammer on the 12th fret. The next two notes F# (11th fret G string) & B (12th fret B string) are picked. Slide up a whole step from the B to the C# (14th fret B string) to end the arpeggio and proceed up the B string to complete th lick with a whole step bend.

Lick #7
This guitar lick also starts as a B minor arpeggio. The first 3 notes are B, D and F# which are the notes that make a B minor triad.



